Russell’s published statements and essays: 

The Twittering Machine of the Future, Iconograph magazine, #2, (New York: Summer, 1946)

Twentieth Century Machine, Laurels, (New York: Laurel Gallery, 1947)

Statement, Tapié, Michel, Véhémences Confrontées, (Paris: Galerie Nina Dausset, March 1951)

Statement, Weller, Allen S., Contemporary American Painting and Sculpture, (Urbana, Il.: University of Illinois, 1952)

Statement, Weller, Allen S., Contemporary American Painting and Sculpture, (Urbana, Il.: University of Illinois, 1953)

Symposium: The Human Figure, Art Digest, (New York: Nov. 15, 1953)

Statement, Duveen-Graham Gallery, (New York: 1957)

Toward Meta-Form, It Is magazine, (New York: 1960)

Statement, Hadler, Mona and Viola, Jerome, Brooklyn College Art Department, Past and Present, 1942-77, (New York: David and Long Company and Robert Schoelkopf Gallery, 1977)

Selected unpublished writings:

Notes on a Personal Calligraphy in Drawing, undated

The Great God Pan is Dead! (on Luca Signorelli's The Education of Pan), 1970

Dali: The Golden Ass of Modern Art, 1972

Jean Cocteau or the Blood of the Poet, 1983, New York

 selected by David Carbone