Five Figures in a Mindscape
1945
ink on paper
14 1/8" x 17 1/8"

published in the surrealist magazine View, Series V, No.6, January 1946

Figure in an Abstract Landscape
1946
ink on paper
8 5/8' x 12 1/2"
Apollonian Landscape
1945-46
engraving and aquatint
14 3/4 x 17 7/8"
Homage to Rene Boyvin
1946
engraving
17 3/4 x 11 7/8 in.
Andromache
1946
engraving and aquatint
8 1/4 x 11 1/4 in.
Rags, Rocks and Weeds
1946
engraving and aquatint
7 3/8 x 12 3/8 in.
Reclining Figure in an Abstract landscape
1946
ink on paper
8 5/8" x 12 1/2'
Cycladic Figures
1947
engraving and aquatint
8 13/16 x 6 in.
Cycladic Figures
1947
engraving with aquatint and colors
8 13/16 x 6 in.
Cycladic Figures
1947
engraving with colors
8 13/16 x 6in.
1946
engraved plaster framed with wood, with a dedication to Stanley William Hayter
Topological Structures
1946
engraving and aquatint
4 3/8 x 9 in.
Reclining Figure
1947
engraving
5 7/8 x 9 3/4 in.
Landscape
1947
engraving
5 3/4 x 9 in.
The Kill, (Dying Amazon)
1945, 49
color engraving with aquatint
8 x11 3/4"
Steel Trajectories
1946
engraving and acquaint
7 x 14 3/4 in.

Private Collection, New York

Steel Trajectories
1946
color engraving with aquatint
7' x14 3/4"

image inverted from monochrome print

Machine Wreakage
1946
engraving and acquaint
12 x 17 1/2 in./ # 4/35
Landscape with three Female Figures
1947
ink on illustration Board
16 x 20 in.
Abstract Landscape with Figure
1947, 12/31
ink on paper
11 1/4' x 18"
Three Abstract Figures
1947
ink on paper
11' x 14 1/2"
Penumbra
1947
color engraving
11 7/8" x 17 1/2"
Mercury-Hermes-Trismegistus
1947
engraving, embossing and aquatint
14 3/4 x 17 1/2 in.
Icarus
1947-48
engraving and acquaint
22 x 9 3/4 in.

Private Collection, New York

Icarus
1947 ( probably 48)
color engraving with aquatint
22 x 9 3/4 in.

3/30

Landscape
1948
engraving
5 7/8 x 9 in.
Cambrian Landscape
1948
engraving and acquaint
6 x 15 3/4 in.

Private Collection, New York

Untitled
1948
ink on paper
13 3/8" x 23 7/8"
Field of Forces
1948
ink on paper
13" x 23 7/8"
Untitled (Tentative Signs)
1948, Nevers, France
ink on paper
22 1/4 x 30 in.

Peridot Gallery stamp on back lower right corner

Ephesus
1948-49
engraving with aquatint
7 3/4 x 12 in.
The River
1949
color engraving with aquatint
12 x 16 in.
Untitled ( Tentative Signs)
1949, July, 10
ink on paper
19 x 24 in.
Untitled
1949
ink on paper
18 3/4" x23 7/8"
Untitled
1949
ink on paper
11 7/8" x 19"
"Tentative Signs" series
1949
watercolor and ink on paper
possibly 19" x 24"

location unknown

"Tentative Signs" series
1949
watercolor and ink on paper
possibly 19" x 24"

location unknown

Untitled
1949
ink on paper
19" x 24"
Study for a Work in progress
1949
ink on paper
22" x 30"

signed twice

Lattice Movement
1949
ink on Paper
18 7/8" x 11 3/4"
La Frontier
1949
color engraving with aquatint
12 x 16 in.
Untitled( Tentative Signs)
1950
engraving
15 1/2 x 19 1/2 in.

10/15

Neutrinos
1950
ink and gouache on paper
22 1/4" x 29 3/4"

Peridot Gallery Stamp on back top center

Untitled ( Tentative Signs)
1950
ink on paper
20" x 26"

signed lower left and upper left

Le Cimetière Marin
1950
engraving, acquatinte and pencil on paper
15 1/2 x 11 in.

Private Collection, New York

Artists in the Cedar Tavern
1949
ink on paper
12" x 19"

from left to right: Kurt Valentine, John Meyers, Hope Manchester, Bradley Walker Tomlin, Elaine de Kooning, Franz Kline

Cafe de Flore, (de Beauvoir et Sartre)
1949
ink on paper
11" x 15"

"Where are the snows of yesteryear!"

Two Figures
1950
black and brown ink on paper
29 3/4 x 22 in.

Peridot Gallery stamp on back, lower right This work is related to the painting Roman Woman, 1950.

Standing Figure
1950
color engraving
19 3/4 x 11 7/8 in.
Ponte du Croux, Nevers
1950, August 17
ink on paper
18" x 22 1/2"
Eglise St. Etienne, Nevers
1950
ink on paper
15" x 22 1/2"
Untitled (Tentative Signs)
1951
ink and gouache on paper
15 x 22 in.
(Tentative Signs), Drawing #2
1951, (3/51)
ink on paper
22 x 30 in.

This work was included in the 1952 Annual Exhibition of Sculpture, Watercolors and Drawings at the Whitney Museum of American Art, March 13th -May 4th.

Private Collection, New York

Untitled (Tentative Signs)
1951
gouache and ink on paper
18" x 21 3/4"
Untitled (Tentative Signs)
1951
ink and watercolor on paper
22' x 30"
Untitled (Tentative Signs)
1951
ink on paper
15 x 20 in.
Signs in Movement
1952, February 10
ink on paper
15" x 20"

Private Collection, New York

Signs in Movement, Watercolor #1
1952
watercolor and ink on paper
15" x 20"
Signs in Movement, Watercolor #2
1952
watercolor and ink on paper
15" x 20"
Lake Avernus
1952
ink on paper
22" x 30"
Head
1952, 3/13
ink on paper
12 1/4" x 9 3/4"
Head, Portrait of Andrée
1952
ink on paper
10 ' x 13"
Head
1952
ink on paper

misdated 1945

Female Figure
1952, April
ink on paper
19 7/8" x 13"
Orphic Composition
1952
watercolor, pencil and ink on paper
18 7/8" x 26"
Study for Orphic Composition
1952, November
pencil and ink on paper
11 1/2' x16 5/8'
Orphic Composition
1952
ink on paper
19 x 24 1/4 in.
Orphic Composition
1952
ink on paper
Angel of Death
1953
engraving and aquatint
11 7/8 x 7 6/8 in.
Medea
1956
ink on paper
19 1/2" x 12 3/4"
Medea
1958
ink on paper
24" x 18"
Medea and her Children
1958
ink on paper
24" x 18"
Syracusa
1958
brown and black ink on paper
22" x 30"
Lattice Field with studies
1955
ink on paper
24" x 18"
Lattice Movement/ Drawing for an Engraving on copper
1955
ink on paper
24 x 18 in.
Drawing for Aquatint
1955
ink on paper
19" x 12 3/4"
Lattice Field with Star Signs
1955
ink on paper
18" x 24"
Lattice Structure
1955
ink on paper
14 3/4" x 20"

misdated 1945

Lattice Field of Bent Forces
1955
ink on paper
15 1/2' x 22 3/4"
The Ocean of Dirac
1961
ink and watercolor on paper
19 3/4 x 26 in.
The Ocean of Dirac
1961
ink on paper
18" x 22"
The Education of Pan
1961, Nice
brown ink on paper
22 x 30 1/4 in.

From this point on the compositional drawing will act like an atomic pile coproduce the energy from which unknown thoughts will evolve, an aesthetic evolution through sudden mutation to recapture the atmosphere of Signorelli's "Education of Pan."

Panic
1962, Rome
pencil and brown ink on paper
22" x 30"

misdated in pencil, 1961 / veder voleva come si convenne L'imago al cerchio e come vi s'andava il Paradiso.

Resurrection
1963, December
pencil on paper
18" x 24"
Battle of the Amazons
1969
ink on paper
23 x 31 in.

Private Collection, New York

untitled
1969, Nemi
ink on paper
Falling Figures
1969, Nemi-Roma
ink on paper
26 3/4" x 19 3/4"
untitled
1970
ink on paper
Battle between Romans and Barbarians
1970, Rome
ink on paper
15 1/2" x 22 1/2"
Battle of Amazons
1973
ink and watercolor on paper
22 x 30 in.

"Wonne sang ice an des Orkus Toren und die Schatten lehrer rich Trunkeneit"/ "I sang bliss at the gates of Orcus and taught the shadows drunkenness"— Hölderlin

In the Realm of Gaia
1973, June, Cadaques
ink and pencil on paper
19 1/2 x 25 1/2 in.

Private Collection, New York

Du Kommst Nicht in Ideen Land
1973
ink and pencil on paper
19 1/2 x 25 1/2 in.

Private Collection, New York

untitled
1987
gouache and ink on paper
22" x 30"
Untitled
1987
ink on paper
22 x 30 1/4 in.
untitled
1989
ink and gouache on paper
untitled
1988
gouache and ink on paper
22" x 30 1/2"
untitled
1988
ink on paper
22" x 30 1/2"
untitled
1989
ink on paper
22 1/4" x 30"
untitled
1989
ink on paper
22" x 30"
untitled
1989
gouache and ink on paper
22' x30"
Homage to Dimitri Shostakovich
1989
ink and watercolor on paper
22" x 30"

notes for drawing:1. propreétés des polynômes entiers; 2. oscellations harmonique sous formes complex; 3. L' Théorème de Jardan /1.properness of integer polynomials; 2. harmonic oscellations in complex forms; 3. Jordan's Theorem: "Any continuous simple closed curve in the plane, separates the plane into two disjoint regions, the inside and the outside."

Excersizes: methods de la théorie homologue
1989
watercolor and ink on paper
22" x 30"

after: B. Doulrovine, S. Novikov, A.Fomenko, editions mer Moscow

Cadenza pour Duo Sonate en Sol mineur pour Flute
1990, August 30
gouache, watercolor and ink on paper
22' x 30"

by F. Kuhlau, opus 83

Untitled
1991
red, orange and black ink on paper
19 1/2" x 26"
Capriccio after Michelangelo
1991, june
red and orange ink on paper
20" x 25 3/4"
Fall of Phaeton
1992
gouache and ink on paper
15' x 20"
Conversion of Constantine
1997, Paris
gouache and ink on paper
15" x 20"